Plans for a green dance club in Rotterdam. Christopher Lee in the Washington Post reports on the USDA relaxing regulations on GMOs. Also in the Washington Post, Anthony Faiola talks about the recent crackdown on bad sushi. Doreen Carvajal in the International Herald Tribune discusses French youth radio expansion (yes, this is about Skyrock). James Vaznis in the Boston Globe reports on library attraction/expansion in the USA via cafe culture.
Kristin Downey in the Washington Post reports on Watters v Wachovia Bank, due to come before the US Supreme court.
Philippe Noiret passed away (From an early role in "La Pointe-Courte" under Agnes Varda's direction, to the Uncle in Louis Malle's "Zazie dans le metro" to a few of William Klein's films: as a reporter in "Qui êtes-vous, Polly Maggoo?" and as Moujik Man in "Mr. Freedom", as well as a few films directed by Marco Ferreri, several films directed by Bertrand Tavernier including "Coup de Torchon", and the murky conspiracy thriller "L'Attentat").
Midnight Eye interviews Satoshi Kon.
Wesley Yang writing in the Los Angeles Times reviews 'The Trouble With Diversity' by Walter Benn Michaels. Doug Harvey writing in LA Weekley looks at the spate of Streetsignism.
Recent looks at the Whitney's latest from Christopher Knight in the Los Angeles Times and Peter Schjeldahl in the New Yorker looks at Kiki Smith. Sarah Lyall in the New York Times reports on the London Review of Books obnoxious personals. In the Dallas Morning News Lawson Tattie, Theatre Critic and Tom Maurstad, Media Critic, discuss why so many contemporary playwrights are writing for television.
Rachel Cooke in last week's Observer UK had this to say about looking at art. Grayson Perry in the Times UK on recent concepts.
Showing posts with label media. Show all posts
Showing posts with label media. Show all posts
Saturday, November 25, 2006
Thursday, October 26, 2006
recent articles
Come to Canada to see "Death of A Presdient". John Humphrys emphasizes the need for good grammar in the Telegraph UK. Jack Schofield gives DAB and other digital formats a good kicking in the Guardian UK. Anthony Tommasini laments the downfall of Tower Records and its classical music section in the New York Times.
Wednesday, October 18, 2006
Comedy's release
The man behind this site tipped me off to this edited version of Armando Iannucci's Tate Britain lecture. Its an excellent look at the state of comedy today (on both sides of the Atlantic) and how it fills a significant gap. The key quote regarding the gap is that: "This has come about for three reasons: politicians have stopped speaking to us properly, the media has stopped examining their actions in anything like a forensic way, and broadcast culture has become so watered down, so scared of fact, that people are less inclined to turn to anything other than entertainment for information." His lecture significantly discusses the anarchic spirit of comedy and the reason its presence is so widely felt in modern society.
Armando Iannucci is a comedy writer who has worked on such shows for British Television as The Day Today and I'm Alan Partridge. You can find his CV here. He occasionally writes articles for the Guardian UK and the Daily Telegraph. Some time last year one of his Guardian UK columns tipped me off to the genius that is Sean Lock and his amazing television programme15 Storeys High.
Armando Iannucci is a comedy writer who has worked on such shows for British Television as The Day Today and I'm Alan Partridge. You can find his CV here. He occasionally writes articles for the Guardian UK and the Daily Telegraph. Some time last year one of his Guardian UK columns tipped me off to the genius that is Sean Lock and his amazing television programme15 Storeys High.
Thursday, December 01, 2005
The Fairness Doctrine
The December 1, 2005 issue of the New York Review of Books has an excellent essay by Michael Massing on the current state of the American News media titled "The End of News". The paragraph below is the one that's been stuck in my mind for the past couple of weeks.
"An even more consequential, though much less visible, change took place in 1987, with the abolition of the Fairness Doctrine. Introduced in 1949, this rule required TV and radio stations to cover "controversial issues" of interest to their communities, and, when doing so, to provide "a reasonable opportunity for the presentation of contrasting viewpoints." Intended to encourage stations to avoid partisan programming, the Fairness Doctrine had the practical effect of keeping political commentary off the air altogether. In 1986, a federal court ruled that the doctrine did not have the force of law, and the following year the FCC abolished it."
Michael Massing's full essay can be found online here. The abolition of the Fairness Doctrine contributed greatly to the current political climate in the United States of America.
"An even more consequential, though much less visible, change took place in 1987, with the abolition of the Fairness Doctrine. Introduced in 1949, this rule required TV and radio stations to cover "controversial issues" of interest to their communities, and, when doing so, to provide "a reasonable opportunity for the presentation of contrasting viewpoints." Intended to encourage stations to avoid partisan programming, the Fairness Doctrine had the practical effect of keeping political commentary off the air altogether. In 1986, a federal court ruled that the doctrine did not have the force of law, and the following year the FCC abolished it."
Michael Massing's full essay can be found online here. The abolition of the Fairness Doctrine contributed greatly to the current political climate in the United States of America.
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