from his blog post:
the songs played before the shows in France, Luxembourg and Russia was
Gong - the octave doctors and the crystal machine
Kraftwerk - harmonika
Astor Piazzolla - can't remember what song
Ryuichi Sakamoto - hwit
Pat Metheny - electric counterpoint, slow
Chet Baker - blue bossa
Radio String Orchestra - you know, you know
Kronos Quartet - after the war
Steve Reich - six marimbas
Penguin Cafe Orchestra - the sound of someone you love who's going away and it doesn't matter
Miles Davis - in a silent way
Charles Mingus - self portrait in three colours
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Its funny to me - I play that Penguin Cafe Orchestra track on my radio show often.
NOTE: I will be on the air tomorrow night - 1900-2200 EST
Showing posts with label jay-jay johanson. Show all posts
Showing posts with label jay-jay johanson. Show all posts
Thursday, November 12, 2009
Friday, July 10, 2009
Monday, September 24, 2007
Lightning Strikes - new Jay-Jay Johanson
Lyrics to one of Jay-Jay Johanson's forthcoming songs (courtesy of his myspace page):
Lightning Strikes:
I CLOSE THE CURTAINS
WON'T LET THE DAYLIGHT IN
PUT OUT THE CANDLES
POUR ANOTHER GIN
AND WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
DARKNESS APPROACHING
GUESS THERE'S A STORM BREAKING IN
RAINDROPS INCREASING
STRONGER GETS THE WIND
AUTUMN BROUGHT SHADOWS
MY DAYS OF MOURNING ARE THRU
GONE IS THE SORROW
THE WAY MY LIFE HAS GROWN
WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
CHORDS ON MY PIANO
FADING AWAY IN THE ROOM
THE TICKING OF A CLOCK OR
IS IT A METRONOME
AND WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
Lightning Strikes:
I CLOSE THE CURTAINS
WON'T LET THE DAYLIGHT IN
PUT OUT THE CANDLES
POUR ANOTHER GIN
AND WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
DARKNESS APPROACHING
GUESS THERE'S A STORM BREAKING IN
RAINDROPS INCREASING
STRONGER GETS THE WIND
AUTUMN BROUGHT SHADOWS
MY DAYS OF MOURNING ARE THRU
GONE IS THE SORROW
THE WAY MY LIFE HAS GROWN
WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
CHORDS ON MY PIANO
FADING AWAY IN THE ROOM
THE TICKING OF A CLOCK OR
IS IT A METRONOME
AND WHEN THE LIGHTNING STRIKES
THE THUNDER'S NEVER FAR AWAY
AND YOU'RE THE LIGHTNING LIKE,
I'M THUNDER ON A FOGGY DAY
OR SO IT SEEMS. or so it seems
Monday, January 15, 2007
Thursday, December 14, 2006
Jay-Jay Johanson - The Long Term Physical Effects Are Not Yet Known
Jay-Jay Johanson
THE LONG TERM PHYSICAL EFFECTS ARE NOT YET KNOWN
1. She Doesn't Live Here Anymore
2. Time Will Show Me
3. Coffin
4. Rocks in Pockets
5. As Good As It Gets
6. Only For You
7. Jay-Jay Johanson Again
8. Breaking Glass
9. New Year's Eve
10. Tell Me When The Party's Over / Prequiem
11. Peculiar
The new work from Swedish crooner, Jay-Jay Johanson, is a welcome return to form. The premise here is loss and isolation. There is a rough aspect to all the songs that make this his most coherent album since Poison. This album is full of the fear and despair one feels in the absence of a loved one. Where Poison drew on elements of rock, electronica and hip-hop, the new album's closest references are jazz and movie soundtracks. Jay-Jay's new album has a very European-style cinematic feel, notions of Francois de Roubaix, Michel Legrand and Philippe Sarde's darker work are evoked. Jay-Jay was inspired to sing from listening to Chet Baker, then later the sound and success Portishead achieved provide two touchstones for his work.
The first song "She doesn't live here anymore", sets the tone for the rest of the album as it opens with the rhythmic sound of bells before a slow percussive march and John Barry-style bass guitar kicks in. The song chronicles a man's withdrawal and regression from society. It is breathtaking in its litany of despair. From this point on, a good part of the disc feels like the mental state of this man. "Time will show me" starts with a noisy Hammond organ sound before lapsing into a meditation on this period of separation. The next track "Coffin", one of the quieter songs, seems to take up the story from where the song "Escape" on the album Poison left off – he now contemplates digging a grave for himself as everything he does in life makes him feel worse. The mood changes slightly with "Rocks in Pockets". (rumored to be the next single) It is one of the more fully cinematic pieces. It starts with this bouncy, percussive beat and ominous strings which lay down a dense, atmospheric bed of sound, setting the scene for what is to come. Jay-Jay's voice rises above it all: 'Pack your bags – Keep it Quiet" – the first lines hang in the air and move on, barely having time to settle before the scene quickly shifts. This is a song of movement, it chronicles the thrill (and desire) of an escape. Most of the lyrics start with verbs, placing the motion of the journey on the ears of the listener. It is the story of two people who leave home on a mysterious mission. The song feels reminiscent of a dark thriller or possibly Alain Tanner's film "Messidor"—a destructive and desperate sense pervades the atmosphere. Following this, the mood turns light, and almost jazzy with "As Good As It Gets", perhaps the happiest song on the disc. It talks of memories of childhood, of being pushed from a great height and surviving. What could have ended in death becomes a recognition of life pushing one onwards. "Only For You" is quieter as its story gets darker, a person suppressing himself and his identity in order to prove his love. "Jay-Jay Johanson Again" is a wry tune about Jay-Jay's thoughts as he performs for the audience (it ends with the genius lines "look in my eyes, you'll recognize: Jay-Jay Johanson"). "Breaking Glass" (not a David Bowie cover) is another quieter track, that expresses the need to 'forget the past', musically it's interesting, he sings over a percussive beat formed by his own breath. "New Year's Eve" again talks of the absence and longing for a former love around that time of year, it is one of the saddest tracks I've heard on the subject. It is also perhaps the most real, as it address the loneliness many people commonly feel around that time. "Tell me when the party's over" is another quieter tune that slowly fades away into the brief coda that is "Prequiem"—a piece that ends with the sound of strings and helicopters. The final track on the album, "Peculiar", is almost like Jay-Jay Johanson does Tom Jobim, it has this odd bossa nova type quality to it. Jay-Jay sings about a girl called Peculiar—it's a funny little song and an irreverent ending to an album that is so moody.
Thursday, October 05, 2006
She Doesn't Live Here Anymore - new Jay Jay Johanson

On the air this Friday night 7-10pm EST(1800-2200) 90.3fm WZBC - also online.
SHE DOESN'T LIVE HERE ANYMORE
Wednesday, August 02, 2006
new Jay Jay Johanson album!!! for release in October
Album Title:
THE LONG TERM PHYSICAL EFFECTS ARE NOT YET KNOWN
Track 01: SHE DOESN'T LIVE HERE ANYMORE
Track 02: TIME WILL SHOW ME
Track 03: COFFIN
Track 04: ROCKS IN POCKETS
Track 05: AS GOOD AS IT GETS
Track 06: ONLY FOR YOU
Track 07: TELL ME WHEN THE PARTY'S OVER
Track 08: BREAKING GLASS
Track 09: NEW YEARS EVE
Track 10: JAY-JAY JOHANSON AGAIN
Track 11: PREQUIEM
Track 12: PECULIAR
Good interview about the album and the direction Jay-Jay is going in.
THE LONG TERM PHYSICAL EFFECTS ARE NOT YET KNOWN
Track 01: SHE DOESN'T LIVE HERE ANYMORE
Track 02: TIME WILL SHOW ME
Track 03: COFFIN
Track 04: ROCKS IN POCKETS
Track 05: AS GOOD AS IT GETS
Track 06: ONLY FOR YOU
Track 07: TELL ME WHEN THE PARTY'S OVER
Track 08: BREAKING GLASS
Track 09: NEW YEARS EVE
Track 10: JAY-JAY JOHANSON AGAIN
Track 11: PREQUIEM
Track 12: PECULIAR
Good interview about the album and the direction Jay-Jay is going in.
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