Monday, March 21, 2005

Harvard Film Archive - upcoming films

this is all from the HFA website -

Films of interest to be screened at the Harvard Film Archive:

full info on Alain Resnais series:

Screening on April 6 (Wednesday) 9 pm
Hiroshima Mon Amour
Directed by Alain Resnais
France/Japan, 1959, b/w, 91 min.
With With Emmanuelle Riva, Eiji Okada, Bernard Fresson
French with English subtitles

Screening on April 13 (Wednesday) 9 pm
My American Uncle (Mon Oncle d’Amerique)
Directed by Alain Resnais
France, 1980, color, 126 min.
With With Gérard Depardieu, Nicole Garcia, Roger Pierre
French with English subtitles

Screening on April 15 (Friday) 7 pm
Not on the Lips (Pas sur la bouche)
Directed by Alain resnais
France/Switzerland, 2003, color, 115 min.
With With Audrey Tautou, Isabelle Nanty, Sabine Azéma
French with English subtitles

Screening on April 15 (Friday) 9 pm
Same Old Song (on connait la chanson)
Directed by Alain Resnais
France/UK/Switzerland, 1997, color, 120 min.
With With Pierre Arditi, Sabine Azéma, Jan-Pierre Bacri
French with English subtitles

Screening on April 16 (Saturday) 7 pm
Je t’aime, je t’aime
Directed by Alain Resnais
France, 1968, color, 91 min.
With With Claude Rich, Olga Georges-Picot, Anouk Ferjac
French with English subtitles
A poetic work of science fiction akin to Chris Marker’s La Jetée, Resnais’s film is a tightly wrought, mesmerizing exploration of memory and time. A man (Rich) is rescued from suicide by scientists and sent traveling in time, accompanied by a charming mouse who has been previously used in such experiments. The man becomes lost as fragmentary episodes from his past take over in a chaotic series of unordered events. Beautiful, tranquil, but increasingly menacing moments point to a love affair with a girl the man may or may not have killed.

Statues Also Die (Les Statues meurent aussi)
Directed by Alain Resnais and Chris Marker
France, 1950-53, b/w, 22 min.
French with English subtitles
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker’s characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

Screening on April 16 (Saturday) 9 pm
La Guerre est finie
Directed by Alain Resnais
France, 1966, b/w, 122 min.
With With Yves Montand, Ingrid Thulin, Genevieve Bujold
French with English subtitles
Directed by Alain Resnais and Robert Hessens
France, 1950, b/w, 13 min.
French with English subtitles

Screening on April 17 (Sunday) 7 pm
Directed by Alain Resnais
France/Switzerland, 1977, color, 107 min.
With With John Gielgud, Dirk Bogarde, Ellen Burstyn

Screening on April 17 (Sunday) 9 pm
Directed by Alain Resnais
France/Italy, 1974, color, 120 min.
With With Jean-Paul Belmondo, François Périer, Anny Duperey
French and English with English subtitles
Screening on April 9 (Saturday) 7 pm
Ripley’s Game
Directed by Liliana Cavani
US/UK/Italy, 2002, color, 110 min.
With With John Malkovich, Ray Winstone, Uwe Mansshardt
English, German, and Italian with English subtitles
Screening on April 12 (Tuesday) 7 pm
April 13 (Wednesday) 7 pm
In the Mood for Love (Hua yang nian hua)
Directed by Wong Kar-wai
France/Hong Kong, 2000, color, 98 min.
With Tony Leung, Maggie Cheung
Cantonese and Mandarin with English subtitles

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